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Beginning the second part of an unpredictable timeline, I am left questioning how long to draw this previously done 'Line Waiting' gimick, as Cone has already demonstrated its potential.
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At this point, half regretting this concept altogether, I wipe my brow and accept the inevitable; having already created the first part, the story must in fact end.
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The line grows longer, but it is obvious to the reader that the characters in line are less than arbitrary. Why must I put myself and my viewers in such an uncomfortable situation?
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