Got mine today too, Scyess - first off, I really liked the minimalist feel of the cover. It was actually rather fun listening to a CD without any track listing at all. Here's my thoughts...
Track One: My immediate reaction to this was dislike, but I have to admit that on a second listening, the music was good. The vocals still grated, as I have animosity towards anything even so much as approaching rap, but overall it wasn't too bad.
Track Two: This one appealed to me, and I was left wondering what its origin was. At first I thought Middle Eastern, then East European, but there again perhaps even Russian. I couldn't decide, and it'll probably turn out to be none of them, but either way, I did like it, and it got better once the "tra la la la-ing" started too.
Track Three: This one puzzled me, but its strangely dischordant nature did work. I thought the talkover was reminiscent of UNKLE, and whilst the occasional screams were off putting, overall it worked well.
Track Four: The distorted vocals on this Neo-Hymnal piece were good, and I enjoyed it. It put me in mind of a Church Service in some warped Sci-Fi futuristic vision with a 1950s theatre organ.
Track Five: "One Of These Days" by Cop Shoot Cop, an acceptable rock song that I'd not heard before but nevertheless enjoyed.
Track Six: A French folk/country song, which probably has meaningful lyrics as well as accordion playing, but for me it was a case of take it or leave it.
Track Seven: "I Ain't Drunk" by Albert Collins, had a certain feel-good factor to it and was fun to listen to.
Track Eight: A nice piano piece with intriguing stringy sounds in the background; rhythmic and thoughtful, my only misgiving was that it didn't go on for long enough. A very good piece which I enjoyed a lot.
Track Nine: A pleasant rendition of "Smells Like Teen Spirit" in which you can actually make out the lyrics. I don't recognise the singer, but she sounded like Sarah McLachlan to me (surprising, given your hostility to all things Jewel, Scyess!) and was overall pretty good.
Track Ten: The intro promised a lot, but then the lead singer opened her mouth and in my opinion all was lost. As with track one, I felt the vocals let this one down, which is a pity, because instrumentally I liked it.
Track Eleven: This amusing "Pop Goes The Weasel" instrumental number was fun, I felt. Nice!
Track Twelve: When this one began I thought it was about to burst into Freddie Mercury singing "We Will Rock You" but it transformed into a rather more warbly piece with drums. On the whole, ok.
Track Thirteen: I liked this one a lot - it had a Celtic feel to it, even if it wasn't meant to. It had that "get up and dance" sensation to it as well which was good.
Track Fourteen: This piece perplexed me, in a good way. It began with eerie chanting that reminded me of Perfect Blue, and the cymbal clatters were atmospheric. However, it then began to change, and by the end it sounded like someone had recorded the noise of a man being killed with a circular saw! For its general weirdness, I score this one highly, and will be listening to it many times over.
Track Fifteen: I'm sure this is a famous classical piece which I should know the name of along with its composer, but I do not. Suffice to say, it was rousing and good, solid stuff. A nice end to the compilation, I felt.
Overall Chi-score, 7/10